I have been trying to widen my repitoir when it comes to different tones of skin this year, and I believe I made some progress with that recently. I decided to use the vibrant green on a Warcry Warband and take advantage of all that skin on show! I wanted to go for some dark tones to make the vibrant green stand out, and it was as good an opportunity to try something new. This is how they turned out:
I am very pleased with this trial and shall certainly be building on them in the future. Using purple to recess shade has worked particularly well I think, and the very thin layers of doombull brown for highlights worked out as well. I shall be building on this method over the coming days and weeks and who knows, I might even produce a tutorial sometime soon!!
It is a well establiushed fact that I am in love with Titans. It’s the size, the shape, the cool power they represent, it just does it for me in some way. I have recently picked up several of the Adeptus Titanicus miniatures and have been working my way through painting them. One of the coolest things about Titans is the amount of flat space they have on them. For me, this is the perfect opportunity to create cool freehand designs on them.
The other day, I watched a video online by Artis Opus. I don’t usually watch videos at all but this one was on and it drew my attention. They talked about using neon paints to create bright, vibrant effects on buildings and I thought it was rather interesting. I liked the lighting effect and wondered if I coould give it a go.
I didn’t have any scenery undercoated or ready, but I did have the bird in a tree thing I made a few weeks ago in another experiment. I grabbed the colours, which I happened to have in the house anyway and got to playing around with the idea.
I followed the tutorial roughly from memory, adding my own thoughts in as I went along and I was pleased with the result:
Now, I know this is not a building, but I followed the ideas as best as I could. I want to try and experiment with other neon colours, and I have some other miniatures that I can do it with. I like the technique, and I will also be trying it on some buildings in the near future!
The corona pandemic has affected a great many of us and for a good reason. We have been told to stay inside as much as we can, only allowed out for an hour a day to get exercise and to protect the NHS. I have followed the guidelines as much as possible and remaining inside and away from others. I have now done this for six weeks and my saved funds are running low.
For this reason, I have decided to resume working. A lot of my trade is done through ebay at the moment and I have created the listings again stating that I will only be going to the Post Office once a week to post orders out. It means that I will also take commissions again as well.
Part of me looks forward to going back to work because as much as I love painting my own miniatures, I much prefer painting for other people. It doesn’t mean I will be abandoning the Blood Angels, far from it. It does mean I shall be able to build up the depleted savings though, and that is important.
Next week, I plan to finish the squad of Ultramarines I am working on. I shall also go through the shelf and see what I have in the house that I can work on too. The ‘shelf of shame’ is rather full and there has to be some bits on there for me to work on while we are waiting for everything to get back to ‘normal’ whatever that is!
In the meantime, have a shot of the Ultramarine that is mostly finished:
As many of you are aware, I have been on a mission to try different skin tones. It started off with ‘The Daily Head’, which was great but I wanted to try other body parts as well. Space Marines tend to hide behind armour, so I picked up some of Warcry’s Cypher Lords to give it a go.
I am pleased with the result. For the dark skin, I used a base of Dryad Bark, with a watered down wash of Daruchii Violet and then Caroshade Crimson. I then mixed Dryad Bark with XV-88 for the highlights. I really like the purple tones to the dark skin this has created and will look into this more next time I come to paint dark skin. For the paler tone, I started off with Cadian Fleshtone. I then washed it first with thinned down Agrax Earthshade and Seraphim Sepia. I then mixed Cadian Fleshtone with Kislev flesh for the highlights. I then used Kislev flesh for the scars. I wanted to keep it simple and it seems to have worked out alright. It will be a spring board for more flesh experiments to come in the future.
I have always shied away from yellow in the past, the colour is a pain to get looking vibrant and usually takes loads of layers. I’m not one to shy from a challenge however and I need to be comfortable in all colours. So, I decided to paint some aggressors and a tank as Imperial Fists.
I used the airbrush to base coat them. I have been told by a painter vastly superior to me, that Doombull Brown is good for yellow, so I started with that. Then used Ochre yellow, then Medium Yellow by Vallejo.
They came out rather brighter than I expected. Bonus. I then painted in the other base colours, which never makes a miniature look good. They have to get worse in order to get better in some ways. I wasn’t panicking, but I wasn’t impressed either…
Remembering Gary’s words, I then got my shade on with thinned Doombull Brown. Highlighted with Yriel Yellow and then Flash Gitz yellow, I also touched up the rest, finished off the bases and have left him to sit. I will no doubt tinker with the one I have completed tomorrow when I have a fresh set of eyes. Then it is on to the tank…
I finished Dante today, after what seems like forever. When I picked him out of the second hand box he came in, I decided he would be a great opportunity to try a brighter version of Non-Metallic Metals than I have done in the past. Here he is in all his finished glory:
Thoughts on Non-Metallic metals then. I like how much brighter the paints I used turned out. It was difficult half way through because it looked awful but pressing through and using the yellow really brought it out. The blue blends on the axe look super smooth and I really like how the lightning looks as though it is dancing over the blade rather than just stuck on.
Improvement points: I need to make the lighter sections larger, I feel the mini is still rather dark in places. I could use smoothing out the blends as well to make the transitions better. This shows particularly on the larger, flat areas. Silver spots remain a sticking point but this will get better with time.
The base needs a touch up.
All in all though, this has been a great learning process and I have some ways forward for myself. I am pleased with him and he will soon join his brothers in the cabinet!
As most of you are aware, I have been practicing painting heads and faces over the past few weeks. I try and do one a day but being on holiday and busy means that sometimes it’s not always practical. Above, you can see all the heads I have done so far. The one on the left was the first.
I rather liked the dot method of painting eyes that I highlighted before, but when I tried to paint iris’ on, it didn’t work too well. A friend over on twitter linked me to a different way and so I gave it a try. This was the result!
His eyes are way too anime to be called good, but for a first attempt at a new method, I was pretty pleased. I look at it now though and think it’s rather funny. Some of the comments were fun, but I had to have another go to make him look less kawaii…
This is a step in the right direction for sure. The black around the edge of the eyes makes it look more realistic and less anime. The left eye is neater than the right and I am wondering if I should try using a magnifying glass as it is hard to see. Maybe I am being too picky with it and practice is going to be the cure in this case. Either way, I look forward to painting those Death Company marines, who will have red eyes and look crazy!
While I was away, Warhammer Fest was announced and therefore Golden Demon too. I want to enter this year after last year’s did not get finished. I underestimated how much time I would need and I was working as a teacher then, so ran out of time.
This year, I want to re-create a scene from one of the Mephiston short stories by David Annandale. In Lord of Death, Mephiston battles a demon prince named Doombreed. I love the scene, especially when he tries to play ‘the floor is lava’ with a demon. There is a lot going on in the scene, and I get a lot of enjoyment out of creating dioramas, so there we are. That is my challenge.
I have a concept sketch, which is silly, full of little notes and ideas, and a basic parts list:
I have a lot to think about, and some parts to source as well. At this stage, I am also open to suggestions as well. It will involve a bit of conversion work, a lot of patience and a great deal of effort as well. Still, it’s not worth doing if it isn’t going to push me to try new things, and it will be worth it regardless!
The Daily Head seems to have been rather successful on twitter and so I have decided to share how I am doing the skintone practice with others. This is the method I learned at Seige Studios on their course. I have others I want to try out as well, but seeing how I have already got a few heads base coated, I wanted to stick with this way until I need to make some more.
Step 1: Base Coat.
I airbrushed the bases of all the heads starting with Cadian flesh, moving on to Kislev flesh and then a final highlight of Flayed One Flesh
Wash the entire head with a very watered down Seraphim Sepia.
Recess shade all the recesses with neat Seraphim Sepia.
Recess shade two thirds of the recesses with Agrax Earthshade – not watered down/thinned.
Recess shade one third of the recesses – started from the nose/centre of the face, with Nuln Oil.
Black out everything that is not the face – this will stop the mind getting confused while you focus on the face. We are trained to know faces from birth, so keeping the face upright will also really help with this. Also shade in the eyes! I use black 70.950 by model colour for this as it is a nice matt black, but Abaddon Black will also suffice.
I have a special brush for eyes. It’s a fine detail brush with the point cut off to make it flat – this makes excellent dots without the point slipping and creating a mess. Use this amazing dot brush to place a dot at the two sides of each eye, as shown. Most of the time, this gets rid of the boogly eye that you get when you dot the black in the middle.
Also, highlight the ‘T Zones’ of the face with thinned down Kislev flesh. If you want a paler look, Flayed One Flesh would work here too.
Here is my progress so far. I know my brush control has improved from the first one. Things can only get better from here too. Just keep practicing!